CongaDr+ Tony's Conga Adventures

Sunday, May 20, 2018

Creating the Ashland World Music Festival

I relocated from the bay area to the Pacific NW, in part, to bring the cultures of the world to what has historically been an area dominated by European culture.

When I arrived in this little town, I was told I should not try to change Ashland, but to respect what has been here.. the things I was attracted to when I moved here.. the peace and quiet, the natural beauty, the silence of the open space.

After a couple of years of watching the music scene die in front of my face.. I was like.. hell no.

Founder of the Ashland World Music Festival, Tony "Popeye" Stern plays and teaches AfroCuban folkloric percussion in Ashland Oregon. The Ashland World Music Festival is his gift to Ashland for welcoming him into the community
Ashland World Music Festival founder Tony "Popeye" Stern

Thus, as in the bay, I put together something to solve the problem. I pitched an annual music festival on the city of Ashland, the Ashland World Music Festival. They liked the idea, so I booked a series of world music acts the first year and helped them get rolling with how to produce a music festival.

Here are some clips of the first year I produced and booked in 2016.. some serious dancing going on in Ashland!


So fun to see, its now being run by the city, and I can just show up and enjoy the show.



Im so proud to have contributed 7 gigs a year for local world music acts, and I hope eventually they will have big acts in from out of town, serve beer in the park and blow this thing out!


This year I counted some 350 people enjoying the show.. although the line-up lacked dancable acts for the most part?? ug.. perhaps they will clue into the dance factor next year.

Im so proud to have contributed 7 gigs every year for local world music acts, and I hope eventually they will have big acts in from out of town, serve beer in the park and blow this thing out! After all, my vision is to educate the town about cultures outside of their direct experience through the art of these countries.. so with the new sponsors.. we have money to bring in some serious acts! Get on it RWM.

Saturday, January 24, 2015

Conga and Bongo Restoration by The CongaDr


Here is my facebook page about the restoration of Conga and Bongo : The Conga Doctor's Drum Restoration and Repair - Conga, Bongo, Bata.

https://www.facebook.com/Congadr

Drop by and sport me a 'like' if you dig the work.

Over the years, Ive had the great pleasure of restoring a few hundred vintage instruments, which, to say the least, has been highly rewarding.

It is so fun to bring life back into these vintage drums. The older congas and bongo have a sound that modern craftsmen, no matter how talented, struggle to duplicate. 

Often, these older drums are made of Mahogany, a very unsustainable wood to harvest, so it is great fun to save a tree in the process.

And then to see these instruments played and loved by the top players in the country.. too cool.


Monday, January 12, 2015

Saudi Arabia Floggs Blogger Raif Badawi

Time for us all to stand together, this could be any one of us, no matter where you are blogging.

Long Live Raif Badawi.

Freedom of information is unstoppable, no matter what you do, Saudi Arabia.

Free Raif Facebook Page



http://www.theguardian.com/world/2015/jan/11/flogging-global-outrage-saudi-arabia-silent





These are the words that warrent a public flogging, jail time, and a quarter of a mission dollar fine:


Blog post by Raif Badawi:

Coinciding with the painful terrorist September eleventh events, which killed more than three thousand innocent people, the Muslims in that stricken city are demanding to build an Islamic center containing a mosque and community center in the same area where World Trade Center collapsed over the heads of those who died that painful day.


What hurts me most as a citizen of the area which exported those terrorists (without honor them, of course), is the audacity of Muslims in New York that reaches the limits of insolence, not taking any regard of the thousands of victims who perished on that fateful day or their families.
What increases my pain is this (Islamist) chauvinist arrogance which claims that the innocent blood, which was shed by barbarian, brutal minds under the slogan ‘Allah Akbar’, means nothing when compared with the act of building an Islamic mosque whose mission will be to re-spawn new terrorists and demanding even that the mosque be constructed near the same area. This is a blatant affront to the memory of American Society in particular and humanity in general, none of whom accept in any way that scene of mass murder.

The question that I ask myself first as a human being and also as a citizen of that area which exported those terrorists is “what is this haughtiness to humanity?” And “What is this racial discrimination with regards to human blood?” Suppose that we put ourselves a little in the place of American citizens. Would we accept that a Christian or Jew assaults us in our own house and then build a church or synagogue in the same area of the attack???? I doubt it.

We reject the building of churches in Saudi Arabia not having been assaulted by anyone. Then what would you think if those who wanted to build a church are the same people who stormed the sanctity of our land? Was not what happened on Sept. 11 an assault on the sanctity of the land and the homeland? Of what land and what country? It is America.

Furthermore, we have not asked ourselves how it is that America allows Islamic missionaries on its territory, and how it is that we reject under all circumstances the freedom to proselytize within our Kingdom’s land. We can no longer hide our heads like an ostrich and say that no one can see us or that no one cares. Whether we like it or not, we, being a part of humanity, have the same duties that others have as well as the same rights.

As others respect our differences with them, we should respect the differences that others have with us and recall the great humanitarian sense of Saudi King Abdullah bin Abdul Aziz who called in his famous and great initiative for “Interfaith Dialogue”. Let us all live under the roof of the human civilization.

Therefore we are not surprised why the king’s “Interfaith Dialogue” initiative found such acceptance by the whole world, even until King Abdullah became an international model and example. It is only by using our minds that we can keep pace the world that is evolving every day.
It requires courage to respect others’ views, to appreciate others’ beliefs and choices along with their right to believe them. Thus, we feel that we fail with regards to all Islamic, faithful and humanitarian principles when there is a group of us calling for the construction of a mosque in the same area which, to understate it, has become a heavy burden in the memory of Americans and all honest people around the world.

The the United States respects the beliefs of others, their religious freedoms and the various religions’ places of worship, whether they be Abrahamic and even non-Abrahamic. That fact should inspire us to respect and appreciate the feelings of the victims’ families and to say with courage that a mosque should not be built at that particular site. The territory of the free land of America is wide and accepts everyone, thus they can build that mosque at a different site.

Finally, we should not hide that fact that Muslims in Saudi Arabia not only disrespect the beliefs of others, but they also charge them with infidelity to the extent that they consider anyone who is not Muslim an infidel, and, within their own narrow definitions, they consider the Non-Hanbali Muslims as apostates. So how can we be such people and yet be able to build a human civilization and normal relations with six billion humans, four and a half billion of whom do not believe in Islam.

Written by: Raif Badawi





Tuesday, October 14, 2014

Cuban Bongo Restoration - 50's Benny More' tour drums

Vintage Latin Mahogany Bongo from Cuba, restored to near new. 6" Macho, 7.5" Hembra



One extremely rare and Vintage set of Mahogany Cuban Sonoc Bongo of the highest order. I believe the set was made in the early 1950's. Perhaps just before the world tour in 1954.

Amazingly, it has an inventory label from a tour with the great Cuban singer Benny More'

Here is a clip of Benny More's with Mongo Santamaria.. no bongo in it, but this is a blog about congas anyhow.. ;)


This set has most likely had an unbelievable life, touring the world with Benny More', with one of the worlds top Latin band of the time, La Banda Gigante, on one or both huge world tours in the mid 50's. .. what this set has seen!



The set was purchased from a one of the top Latin percussion historians Dario Rosendo, from the bongocero named Claro of the World famous Cuban band Ritmo Oriental.

The set is quite amazing. It is made of the extinct Tree, and famed Cuban drum wood, Caoba that is still prized today for its legendary sound.



It sounds as beautiful as it looks. And it plays so nice seated. A medium weight Mahogany, not like the lighter Mahogany from Asia, more like walnut density. The hardware is strong, solid, and is efficient, in that its not over built. really the best design for a seated player.

It needed restoration, but was in really good shape for how much it was played. And it had this funky 50's circus influenced paint job.. quite a piece.



I can see it up on stage under the big lights. 



I restored the set to nearly new condition, with new high end kip skins. The set looks and plays amazingly, tunes nicely and is very well built.




The sound is so sweet, in the pocket, crisp and throaty with a woody love handle. The set has a lot of projection, and a crisp high end that makes your Martillo sharp, with fat, woody projection from the Hembra.



Here is a clip from the man himself, back in the day.. and I can report, this set sounds nearly the same as the set played here. 


I can see why it was played by the best of the best players of the 50's-70's.

http://youtu.be/0FRNUA0uFRQ



The set has a tour inventory tag on the inside, the kind I have seen before, common on tours with huge bands, flying to different countries and having instruments professionally moved from one tour location to another.




So, this set, after going literally around the world playing huge gigs with Benny More', the biggest Latin act in the world at the time, it gets passed on to this amazingly fat Ritmo Oriental, one of the top Cuban bands of the time. What a life.

Here is some shots of the restoration process...





And a nice 'job well done' comment on FB by the patriarch of Latin Percussion, Martin Cohen, thanks Martin!  



Wednesday, March 5, 2014

Brazilian Carnaval in Sacramento 3/15 2014 at the Old Sugar Mill ! - A Carnival of Dance

Well, isn't Sacramento lucky to have such amazing Brazilian culture!

Brazilian Dancer and Musical Director Marta Santos brings a Rio De Janeiro style Carnaval near your home town!


Please pass on the Details to your friends:

Brazilian Carnaval at The Old Sugar Mill !
Saturday, March 15th 6pm to 12 midnight
35265 Willow Ave.
Clarksburg Ca 95612
$15 at the door, $12 in advance
Free dance class included (at 6:30pm)

Marta is a treasure of the valley, bringing the amazing rhythms, dance and costumes of  Carnaval in Brazil, to the Old Sugar Mill in Carksburg, Ca March 15th from 6pm to Midnight... can I do another (!!) ?


This fantastic event will feature LIVE performance of Brazilian Drummers from the legendary musical cities of Salvador Bahia and Rio De Janeiro playing the most energetic and entertaining music, famous around the world for bringing huge smiles to everyone in attendance.

Brazilian Carnaval is well known for its world class beautiful, smiling dancers in stunning brightly feathered costumes parading to the seductive Rhythms of Samba.


If you love Zumba, you are going to love this! Samba is the real deal, and the live drummers are sure to inspire, and fill your heart with the contagious joy expressed by this culture.Dont miss this opportunity to come watch this Culturally rich event just outside of Sacramento, brought to you by your talented local Brazilian community.


Musical Director Marta Santos has really out done herself this year, as they are proud to welcome a world class lineup of performers - including Singers, Dancers and Percussionists directly from Brazil. Well done Marta!


The lineup is extraordinary, to say the least... hold on to your hats for this list!

Direct from Salvador de Bahia, Brazil, The Samba Dance and Performance Troupe -

Namorados Da Lua!


Sacramento's own Samba Da Terra, led by the stunning local dancer Marta Santos!


The Super Sonic Dance School!


AND the Super charged Brazilian group Fogo Na Roupa!



Get ready for a fantastic evening of great Food, Wine and DANCE!!

Free Samba Dance Class at 6:30pm!

For more information, contact Raul Macias at 916-261-0412, or email him at RaulZinho_2000@yahoo.com,

or visit Marta's facebook page facebook.com/sambadaterra

Please pass on the Details to your friends:

Brazilian Carnaval at The Old Sugar Mill !
Saturday, March 15th 6pm to 12 midnight 
35265 Willow Ave. 
Clarksburg, Ca 95612
$15 at the door, $12 in advance
Free dance class included (at 6:30pm)

Feel Free to click on, copy and paste the flier below and post to your Social Media! 








Friday, November 15, 2013

7 Potencias, Direct from Cuba, Tonight in SF @ Mission Cultural Ctr. in San Francisco 8pm


This is a clip of the performance, which was a warm and accurate expression of Cuban Folklorico from Santiago de Cuba. 


This is a must see troupe here for a short time.. Direct from Cuba! 
See you tonight!


7 Potencias presents a rich and vibrant culture from the lesser known part of eastern Cuba, known in Cuba as the Oriente.
This will be our first ever U.S. appearance! for a series of workshops and performances in preparation for the 15th anniversary of the company. 



Performances:

Mission Cultural Center
2868 Mission Street, San Francisco 94110

November 15, 2013 8:00pm
November 16, 2013 8:00pm
November 17, 2013 3pm
Price:$22 advanced
$27 at the door
http://www.brownpapertickets.com/event/507201

Workshops:

Oakland Emiliano Zapata Street Academy High School.
Idigenous peoples's Celebration.
12:35 pm- 1:45 pm

Malonga Casquelourd Center for the Arts
1428 Alice Street, Oakland, CA

November 18, 2013 7:30pm- 9:00pm Studio E
November 20, 2013 6:00pm- 7:30pm Studio E
Price $18 advanced
$ 22 at the door
http://es.brownpapertickets.com/event/507551

The Works Exercise
2566 Telegraph Ave Berkeley, CA 94704

November 19, 2013 6:30pm- 8:00pm

Mission Cultural Center
2868 Mission Street, San Francisco 94110

November 21, 2013 7:30pm- 9:00pm

ODC Dance Commons
Collaboration with Latin Dance Grooves
351 Shotwell St, San Francisco, CA 94110

November 23, 2013 1:30pm- 3:00pm
November 27, 2013 6:45pm- 8:15pm
November 30, 3013 1:00pm- 3:00pm

Urban Motion& Arts Studio
366 Grand Avenue, Oakland, CA 94610

November 26, 2013 8:00pm- 9:30pm
December 1, 2013 1:00pm- 2:30pm

Thursday, June 6, 2013

Conga and bongo restoration and repair - Spring 2013 Restorations





Here are some before and after shots of some recent projects.



These were all completed in the month of April, and just in time to clear the shop for the work that usually comes in after Carnaval.

I will do a post about Carnaval here in a minute.. lots of content to sort through...

Anyway,

These project were very involved and challenging.

The Sol, with such a violent trauma, had to be done just right, and invisible without refinishing the drum.. very fun..



This Oak Gon Bops Tumba was painted with no less than four different colors of oil base paint.. so much that it seemingly added a few pounds of weight to the drum..

..and who knew such a gem was underneath?

This happens to be my favorite shell ever made in California.. it is the thinner of the two Oak shells that Gon Bops made. The ones with the bands were often thicker shelled and dont sound as nice to my ear, are a bit more heavy, of course, so they dont play as comfortably.. although those drums are also some of the best sounding congas ever made.

This Oak Tumba sounds incredible... one of the nicest sounding tubs Ive played.. super smooth, with fat projection... nearly plays itself.



And this set of Mahogany Gon Bops from the 70's were nearly falling apart.



Its is a set of three that were finished in the stock Foxtail look, and had to be refinished with tenderness as the shells were quite thin for some reason.

The 10.5 was nearly kindling, and took every bit of skill I have to get together. It nearly died twice in the middle of surgery... had me sweating, stressing and cussing at the gods that are in charge of curing time...

I am so happy to report that the drums, as they are today, look as though they have not been restored, but original out of the factory... I was amazed that they came together so nicely.. and sometimes you have to wait and see what you have when you unwrap all the binding..

Anyway, on to the next round of projects.. a Valje ashiko from the SF factory needs a new head, a Mahogany Gon Bops quinto in bad shape, a Master's huge Ghanaian Drum that needs a lot of work, and a hard working Oncolcolo/Omele that has splitting issues..

Here are some other restorations of the past, Im not sure if they were posted before, but thought you might like to see them here..



Friday, May 24, 2013

CongaDr Cuban Cajons in development

  
Master Cajon maker Enrique Carreras and Maestro Sandy Perez

Well, I'm just about to do a post about my new shop in Berkeley, in the process of converting a garage into a wood shop with a clean room.

You really wont believe how good a setup this is... comes nearly stocked with every tool one needs.. I mean nearly every tool one can possibly need. The onsite toolset looks to be a lifetime collection of a very handy and talented craftsman.. and the shop is only a few pieces of machinery short of a full production ready setup. This may happen rather quickly.

Immediately, with all the equipment at hand, I am starting a CongaDr line of instruments. 

Ive asked Irish Rick to come consult, as he worked with Enrique Carreras on several Cajon projects... and has done a good amount of trial and error discovery himself. We are going to hit a lumber store and run some stock through a table saw, talk about jigs and fences.. dimensions, materials.. working it all out.

I'll have some prototypes built in a minute, and plan on passing them through some world class hand for some feedback. I have several people in mind for the R and D prototype tryouts, to definitely include Carlos Aldama, Sandy Perez and Pili Martinez to start..

There are no good sounding Cuban Cajons on the market.. and lots of Cajons that that are sold just dont sound right at all for Rumba.

In other words, there is a very specific sound the Cuban Cajons in Cuba make, and its not the sound that is made by the Cajons on the market.. even the ones sold as Cuban Cajons.

I dont think many people who are making these Cajons actually play Rumba with Cuban Rumberos.. lol.. you would think that would be somewhat necessary.. but Im happy to start filling this need.

The Cajons from Cuba, and the ones Enrique Carreras made, have a very specific sound, shape, construction, kind of materials.. its not easy to produce if you dont know whats up.

I will be running a series of posts about going into production.. should be fun to read.. its all very exciting..